I’ve been transfixed by this Gucci Mane song for the past few days. I don’t care where you’re from or what notions you have about “real hip-hop.” This beat bangs like Donkey Kong’s down+B in Smash Bros. And that’s coming from one of the most stalwart Gucci-haters.
Hi-Tek’s slow and deliberate beat keeps Kweli from sounding too preachy on “In This World.” Judging by the impressive and vastly different production on “Just Begun,”“Back Again” and now “In This World,” I think Revolutions Per Minute might be the capstone of Hi-Tek’s career.
Aleon Craft and SMKA collaborated on this whisper-y Atlanta-flavored remake of the OG Temptations hit “The Way You Do The Things You Do.” The Prologue Pt. 1 comes out March 15. Ain’t shit changed since ‘64.
I dug Raheem DeVaughn’s songs with Ghostface and I was actually really excited when I heard they might be doing an album together, but I’ve never seen DeVaughn as a viable solo artist. “The Greatness” may have just changed my mind. This is what a “song for the ladies” should sound like. Mature and funky. Check his mixtape from January.
Random: every time I hear the vocoder on the intro, I think of “Black Superman.”
Danny B rocking his typically half-gully/half-goofy style over a cold, creeping beat produced by Quelle of Crown Nation, who’s done work with Danny before.
Here’s another joint off Danny’s upcoming album, The Hybrid., “New Era”, produced by Nick Speed.
I consider myself to be a smart person. I subscribe to many RSS feeds. But some of the language being used to describe Free The Robots is way over my head. What the hell does this mean?
Heavily steeped in the Low End aesthetic, Free the Robots doesn’t as much assert a new vision as much as add a different angle, one occasionally angular and overly stiff, but often sleek and punishing, closer to traditional dubstep but unorthodox enough to dig up some dirty Levantine psych to make a beat called “Turkish Voodoo.”
Man, I don’t know. Free The Robots’ album Ctrl Alt Delete drops March 30. Listen to some jams.
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