Metal Lungies

Lee Bannon beats are in the vein of Madlib and Alchemist’s: harsh, twisted, and suited to crazy rhyming.

Amy Winehouse died on Sunday. According to The Sun, a source close to her family said the cause was alcohol withdrawal. As a tribute, Big Boi posted this unreleased remix of “Tears Dry on their Own” by Organized Noize and Dungeon Family. A spokesman for Universal said there are twelve unreleased Amy Winehouse songs.

When Isaac Hayes and Gil Scott-Heron died, it didn’t hit me that hard, because I’m 22 years old and I discovered their music decades after after they made it. It was my parents’ music. But Amy was ours and I can’t shake the feeling that I’ve lost a distant, but cherished family member.

The Hood Internet take Foster the People’s jam Pumped Up Kicks (I mentioned it briefly a few weeks back) and slow it down into an equally awesome counterpart. This was an official remix by the duo so Hollywood Holt’s verse was crafted specifically for this. It’s a nice fresh take on this song and I appreciate that it slows it down instead of speeding it up like the other remixes out there that just ruin what was already a good thing. Check it out:

This single has been floating around for only a few weeks now and remixes are already flooding Soundcloud. Personally, I think Calvin Harris has made a single that doesn’t need someone else tampering with it. It has an updated feel from his previous work but still ultimately sounds like a Calvin Harris piece. I love it, there’s nothing else to say.

The third and final day of Pitchfork Music Festival marked the end to an overwhelmingly exhausting weekend. Sunday happened to be the first day that sold out when tickets first went on sale a few months ago so needless to say it was packed. The crowd was relatively lethargic as everyone was huddled in the shade trying to get away from the oppressive heat (whine, whine, whine, bitch, bitch, bitch… whatever it was hot). I’ll go easy on the first half of the artists for the day and blame the level of boring on the heat. Two early acts I was excited to see were How to Dress Well and OFWGKTA. Especially OFWGKTA, expecting them to bring this out of the world performance due to all the hype they’ve gotten in the last year, I was disappointed with their set but even that kind of grew into just not giving a shit. How to Dress Well didn’t fare much better and frankly they just didn’t sound good. Their drummer had about half a drum set with the floor toms and bass drum turned on their sides sitting flat on the stage, it sounded terrible. Watching them set up you could feel the anticipation in the crowd as they had an orchestral accompaniment to the band. Unfortunately they didn’t seem to do much with that either.

Luckily, Shabazz Palaces kicked off a streak of acts that fell on the opposite end of the spectrum. If you haven’t heard, Shabazz Palaces is a duo that consists of electronic beats with live drums over the top paired with live vocals. They sounded awesome and were worth waiting around to hear their entire set. They have an almost new world sound but they don’t seem as if they’re trying too hard, they sound utterly sincere. Baths followed Shabazz Palaces with a surprisingly energetic performance from an artist who was performing behind a table. His energy got the crowd moving and was the perfect precursor to Toro y Moi. Toro y Moi were by far one of the best sounding on Sunday. They mainly played songs off of Underneath the Pine, which is a personal favorite of mine. Although Chaz Bundick is reluctant to have Toro y Moi be labeled as chillwave, their chillwave….esque sound set the perfect ambiance for a hot Sunday afternoon.

As I shared some shade and some beers with a friend while waiting for Deerhunter I was able to people watch and ended up sitting two feet away from Andrea Estrella from Twin Sister (as they had played the Blue Stage earlier in the day). We lost track of time, enjoying not being baked by the sun, and ended up having to try and hurry our way through the gigantic crowd waiting for Deerhunter. It took us 13 minutes to make it from one side of the stage to the other, what?! To give you  an idea, in a normal crowd that walk would take me three minutes tops, it was crazy. Deerhunter was worth the elbowing though, they played a great set while squinting into the sun. Cut Copy was the last act of the day on the Red Stage and although people have been h8n on their latest album Zonoscope, I thought they sounded great. Unfortunately it seemed like every press person at Pitchfork had jammed themselves into the photo pit so I was only able to see them if I turned myself horizontal and stood all the way up on my toes (looks like yoga’s been paying off). They played crowd favorites from In Ghost Colours which sound just as good as they did when the album came out all the way back in 2008.

TV on the Radio headlined the last day of Pitchfork and they didn’t disappoint. Unfortunately, I suck and my camera died as I was literally headed into the photo pit. I probably won’t stop kicking myself for that one for a while. I was so glad that they played songs off of Return to Cookie Mountain and Dear Science because those are my personal favorites. Nine Types of Light, which dropped in April of this year, has gotten so much attention (and it is good) but c’mon, Dear Science is ear meltingly awesome. Although they sounded fantastic, my feet could not have been more relieved when their set was finished because it meant that I could sleep forever (probably why you’re reading this review a week late…).

On a related note, check out the rest of the festival pics on ML’s Flickr! Click meeeeeee

As much as I love Slow Motion Soundz, I have to admit that their videos are usually unwatchable. The “How Far” video looks like a Windows 95 screensaver and “Inner Circle” was just uncomfortable on multiple levels. But they finally found the right visual approach with “Purple Onion,” which looks the “Flava in Ya Ear” remix with the Pop-Up Video treatment — crisp black and white images and tongue-in-cheek annotations. Download the track here. Also, S.L.A.S.H. steals the show.

via Villionaire Magazine

Curren$y and Wiz Khalifa are doing another mixtape together! And… Big Sean is on it. Sure, why not!

Download: Curren$y, Wiz Khalifa, Big Sean – O.T.T.R (produced by Big Jerm)

Download: Curren$y, Wiz Khalifa, Big Sean – Flowers (produced by Big Jerm)

Download: Curren$y, Wiz Khalifa, Big Sean – Weed Brownies (produced by Big Jerm)

Download: Curren$y, Wiz Khalifa, Big Sean – Dot Dot Dot (produced by Big Jerm)

Download: Curren$y, Wiz Khalifa, Big Sean – Proceed (produced by Cardo)

I usually don’t mess with videos that look like after school projects, but the video for J-Love’s “Mind on My Money” works because it doesn’t aspire to be anything more than a budgetless rap fest. No visual effects, just some shady shots of a casino floor for atmosphere.

Ever reliable Detroit hip-hop.

via backpackboogie

Phil Ade is a competent, if generic rapper from DC whose new tape has a high concentration of dope tracks. It’s an amalgam of blog rap topics and styles: weed, parties, inspirational ‘just tryna make it’ joints, etc. The man can pick beats and he can even drop an exciting verse or two when he lets some hunger into his verse. Bink! supplies some regal post-Roc-A-Fella beats (“King,” “Scoreboard”) and Oddisee laces the title track with an amazing indie-rock-ish beat that deserves some radio play. Phil gets busy with his own producer Sunny Norway too. “The Let Out (Interlude)” is a strange but welcome dance break in the middle of the tape and “The Weekend” with U-N-I is as smooth as any Curren$y track.

The highlights on A Different World are many. I’ll take Phil Ade’s vision for pop rap over Maybach Music Group’s any day of the week.

Download: Phil Ade – A Different World

via 2dopeboyz