The Score remains one of my all-time favorite albums. Here’s John Forte, Wyclef and Pras rhyming for an amazing 20 minutes for Funkmaster Flex in 1997. Last year, then-president George Bush commuted John Forte’s 14 year jail sentence. Moral of the story? Make friends with Carly Simon.

Download: John Forte, Wyclef and Pras – ’97 Funkmaster Flex Freestyle

via GRANDGOOD

Remix Tuesdays is back after a 2 week hiatus and in honor of Raekwon announcing for the release date for Only Built 4 Cuban Linx 2 for the 6th time (April 7th, make your calendars!), I’m doing a Remix Tuesdays on a track off the original OB4CL.

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Via Stones Throw

Here’s a great interview with the heads of two great record labels, Pedro Winter (aka Busy P) of Ed Banger and Chris Manak, aka Peanut Butter Wolf of Stones Throw. There’s some interesting back story behind both labels and Busy P’s answers are all in charmingly broken English  (the title of this post being the best example).

Particularly interesting: Pedro explains how Slum Village ended up remixing Daft Punk’s “Aerodynamic”.

Pedro, how did the Daft Punk remix by Slum Village/Jay Dee occur?
Pedro: You all probably know the classic “Raise it up” from Slum Village. This beat was insane at the time. Jay Dee as usual came up with an avant-garde beat. I did not notice the sample at first sight, but a friend of us was there and say, “Hey hey hold on, isn’t it a Daft sound?” And fuck yes! It was in fact a sample from Thomas Bangalter’s solo project for his label Roulé.
Instead of loosing our time and react as ass holes and ask for money or shit, I propose to the Daft boys to take care of it and ask a remix in exchange of the use of that sample. I met Dilla in Miami and he was of course up for it and was really friendly. He is from Detroit and electronic music never scared him. We were so happy with the result and the shout out. It was a simple and nice adventure. I feel really lucky to have met Jay Dee it was 8 or 9 years ago.

Download: Daft Punk – Aerodynamic (Slum Village Remix)

Download: Slum Village – Raise It Up

And of course, the sample for “Raise It Up”, Thomas Bangalter of Daft Punk’s “Extra Dry”:

Well, kinda. Let me explain.

Marshall McLuhan was a Canadian communications theorist and writer, who devised the expression, “the medium is the message”. What he means by this: the form of a medium embeds itself in the message, creating a symbiotic relationship through which the medium influences how the message is perceived. (via Wikipedia) In 1967, he wrote The Medium is the Massage: An Inventory of Effects, which explained how the effects of media massages the human sensorium. The same year, he released an audio recording of this work on Columbia Records.

The album consists of McLuhan reading statements from the book while repeatedly being interrupted by a variety of speakers: people criticizing his theories, other people reading the book in weird voices, sped-up recordings of McLuhan, odd random sounds and samples of incidental music encompassing different genres and moods. The idea was to create a media pastiche that would evoke TV’s connection of unrelated images in audio form. It foreshadowed many future sound experiments, especially those put together by Steinski and turntablists like DJ Shadow. It’s certainly not the earliest form of sound collage, but it’s striking how close it sounds to modern sound experimentation. It’s out of print now, but you can download it here, courtesy of the blog The Sphinx.

Here’s Side A of the record as a sample.

Marshall McLuhan – The Medium Is The Massage (Side A)

Guesswhyld was an indie label that released a lot of singles in the 90s. Guesswhyld Presents… “The Classics” is a compilation of their releases. Here’s some classic NY off the album. Anybody else miss the 90s?

Download: El Da Sensei – Frontline (ft. Pharoahe Monch, Prince Po, Mike Zoot, FT) (produced by Sean J Period)

Here’s what the original 12″ looked like.

“It’s A Boy” is a 1991 single by Slick Rick, released to promote his sophomore release, The Ruler’s Back. Rick spits about the birth of his son Ricky.

Vance Wright produced “It’s A Boy”. His instrumental consists of tinny horns, clipped synthesizers and a sloppy loop of the “Impeach The President” break- can you tell I’m not a big fan of Vance’s work on the beat? The chorus consists of an reverb-ed Rick saying “It’s a boy” followed by a baby crying.

Large Professor remixed “It’s A Boy” for the 12′ single release of the song. Large Pro brilliantly flips a Carl Tjader sample, combining chiming vibes and thick bass line. LP adds dusty boom-bap drums and his trademark sleigh bells. Some echoing horns complement the chorus nicely.

The track got the music video treatment featuring a bunch of rappers as adorable children.  There’s a baby Rick, Flava Flav, LL Cool J, MC Hammer, even a tiny 3rd Bass! Wee MC Serch is awful precious. YouTube won’t let me embed the video but you can view it here.

Slick Rick – It’s A Boy

Slick Rick – It’s A Boy (Large Professor Remix)

I’ve covered Large Professor’s remix prowess before but this is the first Remix Tuesdays I’ve written where the remix tops the original in every single way. Vance Wright’s original beat is awful, cheap-sounding and utterly ill-suited to Rick’s lyrics.

Via Hip Hop And Breakz

A 1998 solo single by Q-Tip under the pseudonym “Lone Ranger”. It’s a Tip produced joint, a loose tribute to T La Rock’s classic, apparently recorded under the “Lone Ranger” name to avoid trouble with Jive. This is dope, hard to believe I haven’t heard this before.

Q-Tip – It’s Yours

Q-Tip – It’s Yours (Instrumental)

Previously: T La Rock in a Jewish nursing home

“Get It Together” is a 1994 single by the Beastie Boys, released in support of their ’94 album, Ill Communication. It’s a collaboration with Q-Tip that avoids the pitfalls of modern collaborations. Rather than simply tacking on a verse to the end of the song, Q-Tip and the Beasties spend the song trading off verses and bizarre adlibs in a refreshingly loose fashion. Tip is clearly freestyling his lyrics and Mike D, MCA and Ad-Rock go with the flow, shouting adlibs and playing off his verses.

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“Father Time” is a 1995 single by Canadian rapper Saukrates, released as a 12′ shared with Choclair’s “21 Years.” It’s considered something of a underground classic, getting spin on the Stretch and Bobbito show back in the day and chosen for the first Fat Beats Compilation.

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One two/who got more style than son do

It’s been a minute, people. My apologies – midterms and essays got your boy busy.

“Thief’s Theme” is a 2004 single released by Nas in support of his double album, Street’s Disciple. Salaam Remi flips the guitar riff and a soaring organ line from the Incredible Bongo Band’s cover of “In-A-Gadda-Da-Vida”(later used in almost identical fashion by Wil.i.am for “Hip Hop Is Dead”). Remi throws a short bongo break on the chorus, where scratches Nas’s lyrics from “The World Is Yours” for the chorus:

The thief’s theme, play me at night they won’t act right/Understandable smooth shit that murderers move with.

Keeping with the theme of the song, the video features people robbing stores in ski masks.

I owe my discovery of today’s featured remix entirely to Dan Love at FDB, who tipped me off to this track at the end of last year. “Thief’s Theme” was remixed by Canadian producer Midas Touch for his online mixtape The Remix Tape Volume 1, which you can download here. Obviously, this remix is internet only, but it’s a shame; Midas does a better job behind the boards here than Nas’ current stable of mostly crap producers.

Midas switches up the percussion to heavy snares and hi-hats. He adds pretty, echoing piano keys and brings in stirring strings and some really dope horns every few bars. Midas also chops us some classic Otis Redding groans and layers them on top. Midas’s take on “Thief’s Theme” is cinematic and sounds like a lost Premier beat circa Moment of Truth – never a bad thing.

Which version is better? I’m leaning toward Midas on this one. Remi’s beat is hurt by the fact that Nas used the same sample for “Hip Hop Is Dead” but two years later. Still a good beat, just feels a bit redundant, I suppose. What do you guys think?

Download: Nas – Thief’s Theme

Download: Nas – Thief’s Theme (Midas Touch Remix)